My approach begins by breaking down what surrounds me into several synthesized shapes (circles, triangles, squares).
The overall composition is intuitive. I try to capture time, by illustrating the flows of life to capture the guiding lines of shapes and transcribe them pictorially.

The lines intersect, the shapes are simplified to the maximum, to go deeper and deeper into the matter, until penetrating it, until representing its cells, energy, fluids and finally detaching its components. I seek to represent Movement, the forces of a more global and universal structure.

Like in a puzzle, each element is meticulously replaced and, harmoniously, finds its rightful place in a Whole that transcends it.
The idea I want to convey is that the observer can perceive the energy of the movements that carry him, and intuitively develop a perception of what is beyond the frame.